Biasing in Tape Recording

A music signal alone cannot be used to produce a faithful tape recording of a sound because the magnetization of the tape is so sensitive to its previous magnetic history, even the effects of the signal recorded just ahead of it. A high frequency bias signal is typically applied to the tape through the tape head along with the music signal to remove the effects of this magnetic history. This large bias signal (typically 40 to 150 kHz in frequency) keeps "stirring" the magnetization so that each signal to be recorded encounters the same magnetic starting conditions. The necessity for biasing has its origin in the magnetic property called hysteresis - the magnetic material tends to hold onto any magnetization it receives and must be actively driven back to zero to start over. Magnetic emulsions made with chromium dioxide require a larger biasing signal to make use of their wider dynamic range, so modern recorders have different bias settings for iron oxide, chromium dioxide, and metal tapes. With optimum biasing, the recorded magnetic image is proportional to the signal current applied to the record head.

Illustration of biasing
Index

Sound reproduction concepts

Tape recording concepts

Reference
Rossing
Science of Sound
Ch 21
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Bias During Recording

To record a sine wave on tape, you use it to modulate a high frequency bias signal. The bias keeps the magnetic domains "stirred", with an average magnetization in the direction of the modulating signal. As the head passes, a net magnetization proportional to the sine wave signal remains.

Hysteresis and biasingDiscussion of biasing
Index

Sound reproduction concepts

Tape recording concepts

Reference
Rossing
Science of Sound
Ch 21
  HyperPhysics***** Sound Go Back
















Optimum Biasing

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Discussion of biasing
Index

Sound reproduction concepts

Tape recording concepts

Reference
Rossing
Science of Sound
Ch 21
  HyperPhysics***** Sound Go Back








Hysteresis in Magnetic Recording

Because of hysteresis, an input signal at the level indicated by the dashed line could give a magnetization anywhere between C and D, depending upon the immediate previous history of the tape (i.e., the signal which preceded it). This clearly unacceptable situation is remedied by the bias current which cycles the oxide grains around their hysteresis loops so quickly that the magetization averages to zero when no signal is applied. The result of the bias signal is like a magnetic eddy which settles down to zero if there is no signal superimposed upon it. If there is a signal, it offsets the bias signal so that it leaves a remnant magnetization proportional to the signal offset.

Tape recording processOptimum biasing
Index

Sound reproduction concepts

Tape recording concepts

References
Rossing
Science of Sound
Ch 21

Westmijze
  HyperPhysics***** Sound Go Back